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The Byzantine illuminated manuscripts
// by Panos Vassiliou
East meets West. Byzantine art –mostly a religious art- is the result of a cross-fertilization of ideas that led to a resurgence in creative thinking and aesthetic stimulation. The two basic sources from which it is derived are the Hellenistic and Eastern art. The former, a representational art, is more anthropocentric, whereas the latter is relatively non-figural, decorative in character, lavish in design and dazzling in colour.
In the representation of the human form it is the influence of antiquity, the hellenistic style, which is preeminent, whereas that of the East predominates in the decorative features (fig.2).
The aim of the Byzantine art was not purely aesthetics, but rather to induce spiritual contemplation and bring the faithful closer to God.
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1. Geometric. They derive from ancient Greek motifs on vases, as well as arabesque ornaments, which either combined or separate, are used as bands on wall paintings and for headpieces in manuscripts (fig.3).
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They are illustrated in three different ways:
1. with decorative headpieces at the opening of a page, often accompanied by a decorated initial (fig.5).
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3. with full-page illuminations (fig.7).
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The centers of the Byzantine culture were conquered by the Turks and destroyed, but several of them, such as the monasteries of Mt. Athos, Meteora and Patmos in Greece, managed to survive and keep their libraries intact but far from the interested individuals.
Recently, an unprecedented series of ornaments and borders were revived -based on these originals- and are available in a layered outline font format. You may view samples here.
Ornamental Treasures 1
Ornamental Treasures 2
Ornamental Treasures 3
References
Grabar A. “La peinture Byzantine” Geneva 1953
Ebersolt J. “La miniature Byzantine” Paris 1926
Museum of Byzantine Culture “The treasures of Mt Athos”
Thessaloniki 1
1 comment:
Nice typeface you have in the previous post
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